In occasione del bicentenario ha aperto nuove sezioni e trasformato il suo statuario da una scatola nera a una galleria piena di luce

Ora al Museo Egizio di Torino ogni cosa è illuminata

Distendersi e non parlare faccia a faccia può servire in certi casi, ma la scelta dipende dalle esigenze del paziente e dall’approccio terapeutico

Dallo psicologo meglio una poltrona o il lettino?

Sono un simbolo del trumpismo e nei contesti più urbani sono una specie di tabù, ma secondo il Washington Post qualcosa sta cambiando

I cappellini MAGA ora si vedono perfino a New York

Una canzone di Bruce Hornsby

Nelle ultime settimane Avetrana e Perugia hanno provato a tenere insieme opportunità economiche, reputazione e polemiche, facendo fatica

I comuni italiani alle prese con le serie true crime

Uscì quarant'anni fa e stravolse il modo di intendere i fumetti d'azione: lo scrisse e disegnò una persona geniale, ma notoriamente molto pigra

Dragon Ball fu una grande novità

È un fenomeno che esercenti e distributori osservano con sorpresa da un paio d'anni, e che è stato sfruttato per esempio per il film di Paolo Sorrentino

I giovani sono diventati il pubblico più importante per i cinema italiani

Ed Sheeran ha detto di essersi pentito di aver contribuito a una versione della celebre “Do They Know It’s Christmas?”, citando critiche e dubbi che in realtà emersero fin da subito

Le canzoni e i concerti “per l’Africa” non erano una grande idea

E le bozze del prossimo Cose spiegate bene, le cavallette, il vestito in tintoria, eccetera

Un’altra canzone di Suzanne Vega

Un'analisi ha trovato quasi 400 pratiche seguite da milioni di medici contraddette dalle ricerche più recenti, da quelle sulle allergie agli omega-3

10 miti in medicina da sfatare

Innanzitutto: sì, è dimostrato che odorino di vecchio, non è una vostra sensazione; le ragioni invece non sono ancora chiarissime

Perché gli anziani odorano di vecchio?

Cioè senza gli sposi imbalsamati in posa ma tra scene di nervosismo, ubriachezza, sfinimento e ricerca della tartina migliore

I matrimoni fotografati come sono veramente

<p><a href="http://www.parisphoto.com/">Paris Photo</a> è una delle fiere mondiali più importanti sulla fotografia. La fiera è nata nel 1996, è enorme e coinvolge <a href="http://www.parisphoto.com/search-exhibitors.html">alcune delle più famose gallerie d&#8217;arte</a> (in totale 128), editori molto conosciuti nell&#8217;ambito, collezionisti e appassionati. In totale ci sono 22 nazioni coinvolte e gli autori che esporranno nei giorni della fiera &#8211; che inizia il 15 e finisce il 18 novembre &#8211; sono diversi per contenuti e stile. Nel 2013 si trasferirà poi a Los Angeles, per la seconda tappa di questa edizione.</p>

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<p>La maggior parte degli autori si rivolge soprattutto al mondo dell&#8217;arte: le opere esposte sono sì fotografie, ma anche immagini che documentano performances, scene di vita costruita e concetti a volte astratti, anche se la varietà dei lavori esposti non permette una definizione precisa del tipo di fotografia. In mostra ci sono molti progetti contemporanei ma anche opere di valore storico e di autori fondamentali della storia della fotografia.</p>
<p>L&#8217;evento si tiene al Grand Palais e ci sono molte altre iniziative collegate: incontri con gli autori, premiazioni di libri, le solite letture portfolio e un circuito off. In particolare va segnalato il PhotoBook Awards, promosso dalla casa editrice <a href="http://www.aperture.org/">Aperture Foundation</a> di New York. La fiera ha un <a href="https://twitter.com/ParisPhotoFair">account su Twitter</a> con il quale è possibile restare aggiornati sulle cose che accadono e le novità.</p>

Cultura

arte contemporanea

fotografia

galleria d'arte

gallery

Mostra fotografia

Paris Photo

Rituel de chasse 2

<p>© Paul Graham, 34th Street, 11th June 2010, 4.02.56pm, 2010<br />
Exposant/ exhibitor : Pace/MacGill Gallery</p>


© Paul Graham

<p>© Nils Nova Vera/Liz, Collection Fotomuseum Winterthur </p>


© Nils Nova

<p>© Daniel Naudé, Africanis 2. Strydenburg, 1 April 2008, 2008<br />
C-print<br />
Large &#8211; Paper size 124 x 124 and Small &#8211; Paper size 74 x 74 cm<br />
Daniel Naudé. Courtesy of Stevenson, Cape Town and Johannesburg<br />
Exposant/ exhibitor : STEVENSON</p>


© Daniel Naudé

<p>© Vincenzo Castella, Alam´ari Camp Ramallah, 2007<br />
20 x 25 cm<br />
Courtesey Galerie Paul Andriesse<br />
Exposant/ exhibitor : Galerie Paul Andriesse</p>


© Vincenzo Castella

<p>© Liu Di, Animal Regulation NO.8, 2010<br />
C-Print, 80 x 60 cm<br />
Pékin Fine Arts<br />
Exposant/ exhibitor : Pékin Fine Arts</p>


© Liu Di

<p>© Arno Nollen, Girl with Bathcap, 2011<br />
Courtesy Hotel Costes S.A Paris and Galerie Jousse Entreprise<br />
Exposant/ exhibitor : Galerie Jousse Entreprise</p>


© Arno Nollen

<p>Gabriele Basilico, Beirut, 1991<br />
b/w silver gelatine print, 100&#215;130<br />
Exposant/ exhibitor : Photo&#038;Contemporary</p>


© Gabriele Basilico

<p>© Leora Laor, Borderland #1006, 2007 &#8211; 2012<br />
Digital C-Print, 75 x 100 cm<br />
Exposant/ exhibitor : Meislin &#038; Popowich LLC</p>


© Leora Laor

<p>© Jeff Brouws, Carmen Red, Daly City, CA, from the Freshly Painted Houses series, 1991<br />
Courtesy Robert Mann Gallery<br />
Exposant/ exhibitor : Robert Mann Gallery</p>


© Jeff Brouws

<p>© Edward Burtynsky, Dryland Farming #27, Monegros County, Aragon, Spain, 2010<br />
Chromogenic Colour print on Kodak Ultra Endura Paper; printed 2011<br />
100 x 132 cm<br />
Exposant/ exhibitor : Howard Greenberg Gallery</p>


© Edward Burtynsky

<p>© Stephen Shore, from series Uncommon Places: Victoria Avenue and Albert St., Regina, Sasketchewan, 17/8/1974, 2000<br />
C-print on Fujichrome, ed. of 8, 51 x 61 cm<br />
Courtesy CONRADS Duesseldorf<br />
Exposant/ exhibitor : CONRADS</p>


© Stephen Shore

<p>© Alec Soth, Gabriella, Rome, 2011<br />
Archival pigment print, 95.5 x 121.9 cm<br />
Courtesy Weinstein Gallery<br />
Exposant/ exhibitor : Weinstein Gallery</p>


© Alec Soth

<p>© Jodi Bieber, Holly, 2011<br />
Exposant/ exhibitor : Goodman Gallery</p>


© Jodi Bieber

<p>Lucas Foglia, Homeschooling Chalkboard, Tennessee, 2008<br />
C-type print, from an edition of 5, 75x60cm<br />
Courtesy Michael Hoppen Contemporary<br />
Exposant/ exhibitor : Michael Hoppen Gallery</p>


© Lucas Foglia

<p>© Mario Giacomelli, La Gente del Sud: Scanno 52, 1959<br />
Gelatin silver print, 29.85 x 39.37 cm<br />
Exposant/ exhibitor : Robert Klein Gallery</p>


© Mario Giacomelli

<p>© Alex Prager, La Petite Mort Film Still #3, 2012<br />
Courtesy the artist and Yancey Richardson Gallery, NY<br />
Exposant/ exhibitor : Yancey Richardson</p>


© Alex Prager

<p>© Boushra Almutawakel, Mother Daughter Doll (series of 9 images), 2011<br />
Exposant/ exhibitor: East Wing</p>


© Boushra Almutawakel

<p>Helen Levitt, New York City, 1980<br />
Dye-Transfer Print, 40 x 50<br />
Exposant/ exhibitor : Laurence Miller</p>


© Helen Levitt

<p>© Kenneth Josephson, New York State, 1970<br />
Gelatin silver photograph. 1970´s print. Signed, titled, dated, editioned ´44/50´ and annotated ´70-35-38-41´ in pencil by artist on print verso.<br />
20 X 30<br />
Exposant/ exhibitor : Stephen Daiter Gallery</p>


© Kenneth Josephson

<p>© Julie Blackmon, Olive and Market Street, 2012<br />
Courtesy Robert Mann Gallery<br />
Exposant/ exhibitor : Robert Mann Gallery</p>


© Julie Blackmon

<p>© Trine Søndergaard, Guldnakke #1, 2012<br />
Archival pigment print, 60 x 60 cm<br />
Courtesy Martin Asbæk Gallery<br />
Exposant/ exhibitor : Martin Asbæk Gallery</p>


<p>© Julian Germain, Omar Bin Al-Khattab Educational Complex, Doha, Qatar, 2007<br />
Tirage chromogène, 49,5 x 65<br />
Exposant/ exhibitor : in camera galerie</p>


<p>Adam Broomberg &#038; Oliver Chanarin, political 1 sheet 19 3, 2010<br />
Exposant/ exhibitor : Goodman Gallery</p>


<p>© Constantin Brancusi, Prometheus, c. 1926-27<br />
Gelatin silver print, 14.7 x 20 cm<br />
2012 Artist Rights Society (ARS), New York/ADAGP, Paris<br />
Exposant/ exhibitor : Bruce Silverstein</p>


<p>Marina Abramović, Relation in Time, 1977 &#8211; 2010<br />
Gelatin silver print, 112 x 153 cm<br />
Exposant/ exhibitor : La Fábrica Galería</p>


<p>© Nikolay Bakharev, Relationship #22, 1984-86<br />
gelatin silver print, 28.58 x 28.58 cm<br />
Exposant/ exhibitor: Julie Saul Gallery</p>


<p>© Yves Gellie, Rituel de chasse 2, 2012<br />
Tirage argentique contrecollé sur dibond, 120 x 100 cm<br />
Courtesy baudoin lebon<br />
Exposant/ exhibitor : baudoin lebon</p>


© Yves Gellie

<p>© Karen Knorr, The Return of the Hunter , 2012<br />
C-prints on Hannemuhle Fine Art Pearl Archival Paper, 122&#215;152<br />
Exposant/ exhibitor : Photo&#038;Contemporary</p>


© Karen Knorr

<p>© Charles Fréger, From the series Wilder Mann, Caretos, Lazarim, Portugal, 2010-2011<br />
Exposant/ exhibitor: Yossi Milo Gallery </p>


<p>© Cig Harvey, The Velvet Settee, Rockport, Maine, 2012<br />
Chromogenic print, Available in multiple sizes<br />
Exposant/ exhibitor : Robert Klein Gallery</p>


© Cig Harvey

<p>Charles Brittin, Untitled (Bob Alexander, John Reed, Wallace Berman, Juanita Dixon and Walter Hopps outside Ferus Gallery), 1957<br />
Signed contemporary silver gelatin print, 40,6 x 50,8 cm<br />
© 2012 The Charles Brittin Archive/ Getty Research Institute/ J. Paul Getty Trust/ Courtesy The Michael Kohn Gallery, Los Angeles<br />
Exposant/ exhibitor : Galerie frank elbaz</p>


<p>© Philip-Lorca diCorcia, W, September 2000, #6, 2000<br />
Archival pigment print, Framed: 99.1 x 124.5 x 4.4 cm, Paper: 96.5 x 121.9 cm, Image: 81.3 x 106.7 cm<br />
Courtesy the artist and David Zwirner, New York<br />
Exposant/ exhibitor: David Zwirner</p>


<p>© Catherine Opie , Self-Portrait/Cutting<br />
Exposant/ exhibitor: Los Angeles County Museum of Art, The Audrey and Sidney Irmas Collection Catherine Opie</p>


Le foto di uno degli eventi sulla fotografia più importanti al mondo, che apre il 15 novembre